viernes, septiembre 23, 2022
InicioTechnologyParamount+’s The Offer Can’t Sell Godfather Making-Of | TV/Streaming

Paramount+’s The Offer Can’t Sell Godfather Making-Of | TV/Streaming

Like the hero we’re stuck with, Teller is humorless and stiff, even when his character is telling jokes. Then he is joined by a whole circus of strange incarnations and performances that would be better if The Proposal were something of a parody. Sometimes actors amuse themselves with their tough performances, for example, Matthew Goode, who plays classic Hollywood producer Robert Evans, gets too nasal, demonstrating the eccentric, often prudish way of doing business that we now seem to look at with nostalgia. Other actors have fallen into the trap, such as the guys who play Al Pacino (Anthony Ippolito) and Marlon Brando (Justin Chambers), who are physically similar enough to their legends but not loved by the plot. Then there are talents like Dan Fogler, who is so good at his own laser-focused version of Francis Ford Coppola that you wish his incarnation could flourish anywhere else.

«The Proposal» can’t convey how fun it must be to show the absurd juggling of casting, finding places, etc., and you can feel it in the weak plot about the Italian-American response to someone making a movie from Roman Mario Puzo. With a long face and a frog in his throat, Giovanni Ribisi plays mobster Joe Colombo, who leads the intimidation effort, encouraged in part by Frank Sinatra (Frank John Hughes). Ribisi looks completely lost, and his sad clown performance takes on an awkward place as The Proposal does justice to the darker parts of the film’s origins, like how Evans and Ruddy were threatened to shut down the film’s production or whatever. These parts make a bet on life and death, but that doesn’t make us any more involved.

With many scenes set on the Paramount studio lot that includes a giant cloud backdrop, The Proposal also focuses on the studio’s suffering in the 1970s when Evans gave them a rare hit with Arthur Hiller’s Love Story. . This is coupled with a focus on women behind the scenes who helped influence creative decisions (Betty McCarthy Juno Temple), which is more recognition of women in production than we usually get from 1970s Hollywood history books. But it’s more of a rant, the same with every interjected moment Ruddy muses on the unrivaled glory of the cinematic experience, which is part of his motivation to be a producer. Oh sure.

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